荣麟别墅

荷兰库德斯塔尔

設计单位： 保罗·德·鲁特建筑师事务所

建筑面积： 340平方米

项目年份： 2006年

Architects： Paul de Ruiter Architects

Area： 340 m?

Year： 2006

荣麟别墅的主人是一对热衷于艺术收藏的夫妇。他们喜欢被艺术品包围的感觉。因此他们对于新住宅的主要愿望就是能够为他们的油画和雕塑提供空间。然而，他们的住宅位于壮丽的Westeinderplas湖滨，因此没有理由设计一个封闭的体量，设计大面积的实墙用来悬挂油画，这样会减少景观面。面对Westeinderplas湖和花园的视野应该最大化。因此我们决定设计两个对比强烈的体量，一个俯瞰湖景和花园的透明玻璃体量，以及一个“漂浮”在其上的艺术品收藏木质体量。

光的归宿

地面层由一系列博物馆式秩序空间组成，首层提供了Westein- derplas湖和周围景观的视野。全玻璃立面在空间之中的转折都难以发现，360度全方位的透明视野以及超级悬挑结构让自然光能够直接进入室内。在室外，从玻璃立面的后面开始，就有一些可以拉起来的布帘，这些布帘不仅仅能够屏蔽太阳能热量，它们还创造了带顶的阳台。

空间利用

上面的木条包覆的实体空间有几个开口。在这个房子的中央，有一个带天窗的空间，四面设计有大窗户。在这个超级结构的两端是卧室，卧室能够获得周围自然景观的最好视野。设计师设计的太阳薄膜能够屏蔽太阳光以及太阳能。薄膜由水平的木条组成，像格栅。它们由两部分组成，沿中间可以折叠。油画和雕塑可以在房子中央或者中庭之类展览。中庭利用一层空间和上层空间以及天窗使得日光进入每一层。

The clients of villa R?ling are passionate art collectors. They love to be surrounded by works of art. Therefore their main wish regarding their new dwelling was that it would do greatest justice to their collection of paintings and sculptures. However， the location of their house， at the edge of the lake Westeinderplas， is so spendid that it was no option to make a closed volume which would have large wall surfaces for hanging on the paintings but would limit the view of the surroundings. The view of the lake and the garden should be maximal. Therefore we decided to design two contrasting volumes， a transparent glass volume overlooking the lake and the garden， and a ?floating? wooden box on top of it for the works of art.

Incidence of light

The ground floor consists of a series of museumlike ordened spaces， offering varying views of the lake and the surroundings. The overall glass facade folds itself almost invisibly around the spaces and creates a contour which together with the overhanging superstructure alllows for varying incidence of light. At the outside， back from the glass facade， there are cloths which can be pulled up. The cloths not only screen from solar heat， they create a covered and screened off terrace too.

Spatial unity

The wooden box on top has several big openings in it. In the centre of the house there is an empty space with a skylight and all four facades have a large window. At the two ends of the superstructure are the bedrooms with a maximal view of the surrounding nature. Sunblinds， developed by our own， screen from sunlight and solar heat. The sunblinds， made of horizontal slats， move like shutters. Because they consist of two parts with a bend in the middle， the shutters when opened raise like porches above the glass facade. The paintings and sculptures can be exhibited in the centre of the house around the empty space. The empty space unites spatially ground floor and top floor and the skylight allows daylight to enter both floors.